In April, I wrapped up a thrilling Actors' Renaissance Season at the American Shakespeare Center (my third). It was a remarkable set of plays with some incredibly generous, tenacious artists.
Of our production of Hamlet, Eric Minton (Shakespeareances.com) writes this: "You wonder if theater—any theater—can get better than this. Pause. Breathe. Reiterate....I'm not only still pondering this production's place in all my life's Shakespeareances, I'm still feeling the vibrations in my cheeks, the tingles in my gut, the intensified thumping in my heart, and my stinging palms." (Read the whole review here.) After that, I've had some time to unwind, visit friends, see the Badlands and the Black Hills in western South Dakota. I'm also deep in an exciting play adaptation project. Perhaps I'll share more later. I've been toying with the idea ever since I've heard about the work of Kate Hamill and other actor/playwright. In the past years, I've been reading/watching interviews and adaptations. I've collected something of a file, and now it's time to do something about it. Soon, I'll be packing again and taking root in Kilgore, TX for my debut at Texas Shakespeare Festival. There, I'll be playing Boyet in Love's Labour's Lost, Cleante in Tartuffe, and King John in King John!
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