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Films 2022

1/7/2022

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Don't Look Up (2021) Adam McKay
Shiva Baby (2020) Emma Seligman
Ghost World (2001) Terry Zwigoff
The Lost Daughter (2021) Maggie Gyllenhaal
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Reading Log 2022

1/7/2022

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The Ninth Metal by Benjamin Percy (audiobook narrated by Julia Whalen)
Something New Under the Sun ​by Alexandra Kleeman
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Films Watched 2021

1/7/2022

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  1. Tokyo Olympiad (1965) Kon Ichikawa
  2. The Big Country (1958) William Wyler
  3. Victoria (2015) Sebastian Schipper
  4. Between the Lines (1977) Joan Micklin Silver
  5. The Ladykillers (1955) Alexander Mackendrick
  6. Y tu mama tambien (2001) Alfonso Cuaron
  7. The Uninvited (1944) Lewis Allen
  8. In & of Itself (2021) Frank Oz
  9. Housekeeping (1987) Bill Forsyth
  10. Ma Rainey's Black Bottom (2020) George C. Wolfe
  11. Fishermens' Friends (2019) Chris Foggin
  12. The Silent Partner (1978) Daryl Duke
  13. Once Upon a Time...In Hollywood (2019) Quentin Tarantino
  14. The Hidden Fortress (1958) Akira Kurosawa
  15. The Mouse That Roared (1959) Jack Arnold
  16. The Life and Death of Colonel Blimp (1943) Powell and Pressburger
  17. That Touch of Mink (1962) Delbert Mann
  18. Nomadland (2020) Chloe Zhao
  19. The Night of the Hunter (1955) Charles Laughton
  20. Barefoot in the Park (1967) Gene Saks
  21. Shane (1953) George Stevens
  22. The In-Laws (1979) Athur Hiller
  23. The Lady Eve (1941) Preston Sturges
  24. Beau Travail (1999) Claire Denis
  25. Save the Green Planet! (2003) Jang Joon-hwan
  26. Another Round (2020) Thomas Vinterberg
  27. Cool Hand Luke (1967) Stuart Rosenberg
  28. Victim (1961) Basil Dearden
  29. Death in Venice (1971) Luchino Visconti
  30. The Palm Beach Story (1942) Preston Sturges
  31. The Visitor (1963) Antonio Pietrangeli
  32. The Twentieth Century (2019) Matthew Rankin
  33. Don's Party (1967) Bruce Beresford
  34. The Dig (2021) Simon Stone
  35. A Room with a View (1985) James Ivory
  36. Croupier (1998) Mike Hodges
  37. Ripley's Game (2002) Liliana Cavini
  38. California Split (1974) Robert Altman
  39. Mortal Kombat (2021) Simon McQuoid
  40. Palm Springs (2020) Max Barbakow
  41. The Other Side of Hope (2017) Aki Kaurismaki
  42. The Third Man (1949) Carol Reed
  43. The Wolf of Snow Hollow (2020) Jim Cummings
  44. The Mend (2014) John Margary
  45. The Woman in the Window (2021) Joe Wright
  46. Midnight Run (1988) Martin Brest
  47. The Personal History of David Copperfield (2019) Armando Iannucci
  48. The Mitchells vs. The Machines (2021) Michael Rianda
  49. Blood Simple (1984) Joel Coen
  50. Raya and the Last Dragon (2021) Don Hall and Carlos Lopez Estrada
  51. Spoor (2017) Agnieszka Holland
  52. The Long Goodbye (1973) Robert Altman
  53. Night Moves (1975) Arthur Penn
  54. Body Heat (1981) Arthur Penn
  55. Nomadland (repeat viewing)
  56. The Empty Man (2020) David Prior
  57. The Green Knight (2021) David Lowery
  58. The Big Sleep (1978) Michael Winner
  59. Carnival of Souls (1962) Herk Harvey
  60. The Muppet Movie (1979) James Frawley
  61. A Ghost Story (2017) David Lowery
  62. In Name Only (1939) John Cromwell
  63. Moonstruck (1987) Norman Jewison
  64. Minari (2020) Lee Isaac Chung
  65. Margaret (2011) Kenneth Lonergan
  66. Eye of the Devil (1966) J. Lee Thompson
  67. Muppets Haunted Mansion (2021) Kirk R. Thatcher
  68. Dune (2021) Dennis Villeneuve
  69. Six by Sondheim (2013) Lapine, Haynes, de Wilde
  70. Sunday in the Park with George (1986) Terry Hughes
  71. Hangover Square (1945) John Brahm
  72. Laura (1944) Otto Preminger
  73. The Power of the Dog (2021) Jane Campion
  74. The French Dispatch (2021) Wes Anderson
  75. Knives Out (2019) Rian Johnson
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Books Read 2021

6/29/2021

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  1. Pew by Catherine Lacey
  2. The House on Vesper Sands by Paraic O'Donnell
  3. Actual Air by David Berman
  4. Red Pill by Hari Kunzru
  5. 2666 by Roberto Bolano
  6. Exciting Times by Naoise Dolan
  7. Distracted by James M. Lang
  8. What It Is by Lynda Barry
  9. Via Negativa by Daniel Hornsby
  10. Drifts by Kate Zambreno
  11. The Searcher by Tana French
  12. Leave the World Behind by Rumaan Alam (audiobook)
  13. Memorial by Bryan Washington
  14. The Balkan Trilogy by Olivia Manning
  15. Back in Black by Rhys Ford (audiobook)
  16. Actress by Anne Enright
  17. Atomic Habits by James Clear
  18. Piranesi by Susanna Clarke
  19. The Arrest by Jonathan Lethem
  20. Severed Wings by Steven-Elliot Altman
  21. We Play Ourselves by Jen Silverman
  22. The Cold Millions by Jess Walter (audiobook)
  23. The Happy Ever After Playlist by Abby Jimenez (audiobook)
  24. The Midnight Library by Matt Haig (audiobook)
  25. Let's Get Back to the Party by Zak Salih
  26. Housekeeping by Marilynne Robinson
  27. Mexican Gothic by Silvia Moreno-Garcia
  28. Maxwell's Demon by Steven Hall
  29. My Year Abroad by Chang-rae Lee
  30. The Scapegoat by Sara Davis
  31. What Happens at Night by Peter Cameron
  32. Appleseed by Matt Bell
  33. City of Margins by William Boyle
  34. The Ninth House by Leigh Bardugo (audiobook)
  35. Hamnet by Maggie O'Farrell
  36. Devolution by Max Brooks (audiobook)
  37. Leonard and Hungry Paul by Ronan Hession
  38. Dream Girl by Laura Lippman
  39. The Bright Lands by John Fram
  40. My Ex-Life by Stephen McCauley (audiobook)
  41. Inspection by Josh Malerman
  42. Subdivision by J. Robert Lennon
  43. The Dark Game by Jonathan Janz
  44. Survive the Night by Riley Sager
  45. Second Place by Rachel Cusk
  46. Night of the Mannequins by Stephen Graham Jones
  47. One Last Stop by Casey McQuiston (audiobook)
  48. The Great Mistake by Jonathan Lee
  49. Red Moon by Benjamin Percy
  50. Bubble (graphic novel) by Morris, Morgan, Cliff, and Riess
  51. Damnation Spring by Ash Davidson
  52. Less Than Angels by Barbara Pym
  53. The Invisible Life of Addie LaRue by V.E. Schwab (audiobook)
  54. Beautiful World, Where Are You by Sally Rooney
  55. Boy Wonder by James Robert Baker
  56. Strangers on a Train by Patricia Highsmith
  57. The Plot by Jean Hanff Korelitz
  58. A Cosmology of Monsters by Shaun Hamill (audiobook)
  59. Rovers by Richard Lange
  60. Barcelona Dreaming by Rupert Thompson
  61. The Book of Accidents by Chuck Wendig (audiobook)
  62. Bath Haus by P.J. Vernon
  63. Godspeed by Nickolas Butler
  64. Freedom by Jonathan Franzen
  65. The Hearing Trumpet by Leonora Carrington
1 Comment

Current Delights 6.17.21

6/17/2021

2 Comments

 
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Andrew Wyeth, Wind from the Sea 1947
  1. You can listen to one of the audiobooks I narrated, and it won't cost you a thing! It's The Tethering by Megan O'Russell, the first book in a 4-part young adult fantasy series. Happy June Is Audiobook Month!
  2. Raya and the Last Dragon is absolutely gorgeous. Looking forward to catching In the Heights soon.
  3. Today I'm making this excellent lemony-potato salad with mint today. (It's a staple side dish for me)
  4. My research for audiobook narration sends me down all kinds of interesting searches. Here's an article I stumbled across while looking up "Bowie Knife" --> Talk Like a Texan: The Pronunciation of Bowie Knife, Jim Bowie, and David Bowie. I thought it was "BOE-ee," but while that's what many people also think, it sounds more like "BOO-ee."
  5. "It's a terrible thing, I think, in life to wait until you're ready. I have this feeling now that actually no one is ever ready to do anything. There's almost no such thing as ready. There's only now." Hugh Laurie.
  6. Currently reading Hamnet by Maggie O'Farrell and Hench by Natalie Zina Walschots; listening to Max Brooks's Devolution (which is a fictional Sasquatch horror novel told in journal entries, interviews, reports, etc. it's got a full cast with Judy Greer at the helm and it's so good).
  7. Oliver Burkeman has one of my favorite newsletters (and if you click the link on his name, you can sign up on that page). Today's installment included thinking about anxiety: 
And you find it above all, in my experience, not with any kind of mental insight or cognitive exercise, but in action: inching forward into the future, doing tiny bits of the things that are causing the anxiety, committing a little more to the relationships you're feeling tentative about – and discovering, in each moment, further concrete evidence than in fact you can cope with what reality tosses your way. ("It's easier to act yourself into new ways of thinking than to think yourself into new ways of acting.") My life so far provides zero reason to believe I'll ever attain the degree of control over the future I always thought I needed. But then again, my track record of not yet having been entirely overwhelmed by existence suggests that maybe I never needed it to begin with. 
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Current Delights 05/28/21

5/28/2021

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Early Spring Willow Valley, William Webb 1995

​I'm stealing this newsletter idea from the likes of Austin Kleon and Larua Olin

  1. Last week, I went to a bar and heard a friend play his guitar and sing, and it was wonderful and strange. Shout out to Mike Lee! You can listen to his album Pick Me Up Café here.
  2. John Steinbeck wrote a werewolf novel: Murder at Full Moon. But his estate won't release it. So now I'm thinking some indie comic film needs to be made about a hypothetical literary heist and maybe werewolves in Austin (that's where the manuscript is kept).
  3. This Twitter thread about mentorship, being in your 30s, career advancement, and capitalism (particularly in the theatre world) spoke to me.
  4. I've been listening to The Ninth House by Leigh Bardugo. Narrated by the astounding Lauren Fortgang and Michael David Axtell.
  5. I listened to TWO podcasts this week about dialect coaching. 1.) The Process over Product podcast interviewed Courtney Young, who is currently working on all of the Marvel Disney+ series. 2.) Slate's Working podcast with coach Samara Bay.
  6. The canned potato recipe you didn't know you need. (They must be canned potatoes. Nothing else will do.)
  7. I've been watching...The Mitchells vs. The Machines, Mare of Easttown, Hacks, and the French television show: Call My Agent (which manages to scratch a Slings & Arrows itch for me).
  8. I've been reading...My Year Abroad by Chang-rae Lee (brilliant--manages to be both sprawling and contained. The writing about food is top-notch. It has a kind of Dickens adventure with a Gatsby-esque character. But I've also never read anything quite like it. There's an energy flowing and I think it'll be a read that sticks with me for a long time. Two mysterious noir-y books:  The Scapegoat by Sara Davis and What Happens at Night by Peter Cameron. Don't go dipping into these two with the expectation that all your questions will be answered by the end. Both books are suspenseful and puzzling. This morning, I started reading Matt Bell's Appleseed (which isn't out until July, but I can tell it's gonna be awesome, so go ahead and pre-order now).​​
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Going on a road trip soon? Might I suggest checking out one of the audiobooks that I've narrated? There's a range of genres (mystery, fantasy, comedy, thriller) which you can find on Audible.


Have a great weekend, everyone!
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What I Read in February

3/4/2021

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1. Distracted by James M. Lang (this one is not pictured because it upset the arrangement of photos and it was the most "one of these books is not like the others"). Lang writes about cultivating attention in the classroom. I was intrigued about mindfulness and attention and curiosity (and still am) and was in a major teaching application mode at the time.

2. What It Is by Lynda Barry. I believe I discovered Lynda Barry through Austin Kleon. During my Tumblr days, I would devour her posts, which were bits of her drawing/writing/comic courses at the University of Wisconsin.  This book is a kind of collage of memoir/essay/activity book that wonders what an Image is. It also wonders what happens to the person who, as a child, played and drew and sang and danced. How can we get back to that state?

3. Via Negativa by Daniel Hornsby. I love a road trip story. In the first pages an ex-priest saves a coyote who's been hit by a car. The animal stays in the back seat (served plenty of pain killers and fed Spam by the spoonful) while Father Dan travels west. His car becomes a kind of monk's cell. He visits a variety of roadside attractions and reflects on his life and the reader learns over time just why he's become homeless. (Oooh this would make a cool multimedia pairing with the film Nomadland.)

4. Drifts by Kate Zambreno. This is a novel about a writer writing a novel. It's a series of diary-like entries where the author writes about her dog, her neighborhood's landscape (the trees, the garbage, and animals), her correspondence with fellow writers, the books she reads and the films she watches, her pregnancy. It's a way of looking very closely at the mundane and finding wonder and beauty in it. I loved it. It's looking at the work of an artist through time and space in a way I don't often read in literature. Often, the "art" becomes the set dressing for whatever drama is going on for the characters (it's not lost on me that writing about fictional paintings, music, dance, etc. is hard to pull off in fiction and if anyone has recommendations for those who do this spectacularly, I'm all ears). Instead, the walks, the meanderings, the commutes, the adjunct teaching is very much a part of the artist's work despite them not appearing in the final product. I'd love to read a similar kind of book from an actor's perspective. Shoot, maybe I'll even write my own about preparing for a role.

5. The Searcher by Tana French. I adore French's mysteries. (I have 2 or 3 yet to read.) This is a wonderful slow burner about a retired Chicago cop who moves to a remote village in Ireland. He ends up "taking on" a missing persons case--only without the resources of being an actual cop. I'm not doing that description any justice. She's so good with atmosphere and character. This isn't an edge-of-your-seat thriller like some of her other books can be, but I loved the simmering pace. It felt like it was just what I needed. French first started with the the "Dublin Murder Squad" series (which I think can be read in any order) and are wonderfully complex procedural mysteries. The Searcher, along with The Witch Elm, is a "standalone."

6. Leave the World Behind by Rumaan Alam. I listened to Marin Ireland narrate the audiobook to this "domestic chamber thriller." (I just made up that phrase.) A well-to-do Manhattan family takes a vacation to the Long Island countryside, stays at a marvelous Air B&B and then the Internet disappears and cell phones stop working. Some global event has happened. Soon, the owners of the Air B&B house show up and need a place to stay. This book doesn't answer a lot of questions. I highly recommend listening to the book. It's not a Covid novel, but Alam wrote something uncannily timely but something that will surely transcend our situation.

7. Memorial by Bryan Washington. Benson and Mike live together in Houston and have a...let's just say, a strained relationship. To add further complications, Mike brings his mother to stay at their apartment (for an indeterminate amount of time) while he flies to Japan to look after his estranged, dying father. (I loathe writing succinct summaries, so click through the link to get a better handle on it.) The writing on Houston and food is exquisite. The book is sensitive and wry and great.

8. Fortunes of War: The Balkan Trilogy by Olivia Manning. This was my door stopper read for the month. I made it (barely) with the goal of reading 30 pages a day. British newlyweds, Harriet and Guy, have moved to Bucharest, where Guy teaches English. But World War II is imminent. So for 900 pages, you get this incredibly twisty, suspenseful, domestic, cosmopolitan clash of circumstances. Manning drops these marvelously insightful observations of people and their relationships. She writes about the city and landscape beautifully. It's frequently funny and charming. I'm in awe. There's a brightness and energy flowing through this writing that I sometimes miss from contemporary stuff that I read. Is that a "me thing" or is it indicative of the times/trends? Do I read older works through a different, subconscious way? AND YET...this was an eerily relevant read in the midst of the pandemic (not that I want to compare WWII with now, but there are parallels). It's full of people denying their reality or choosing to commit to life in midst of chaos in baffling and touching ways. For example, Guy stages a production of Troilus and Cressida while the Germans invade Paris (and inch their way closer to Romania). I've got the second installment--The Levant Trilogy--where Harriet and Guy settle down in Cairo, I believe. I'd like to read it later this year; we'll see. A BBC miniseries of Fortunes of War is available on Youtube, starring Emma Thompson and Kenneth Branagh (which I haven't seen, but plan to check it out).
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Music for Reading

2/20/2021

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I like to read with music playing, but it must be instrumental and relatively placid.

Over the years, I've been adding tracks to this mega Reading & Writing playlist on Spotify.

It's 45 HOURS long. I put it on shuffle and let it fly.

I've recently stumbled across similar playlists that aren't as long.

Jon Hopkins wanted to find a meditative, ambient music to share with his friends. So here's his: QUIET playlist (it's only 25 hours long).

Ben Watt has a playlist called Air Gap, which follows a similar set of rules: "ambient, beatless, suspended meditations." (~4 hours)

Now, if you don't have Spotify, you can still listen to these playlists, but they will play on shuffle and have intermittent ads. (Please correct me if I'm wrong.)

For an other meditative treat, here's 30 minutes of Studio Ghibli meditative beauty:
​

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In other music-y realms, I've been come to building ongoing playlists for the year. Whenever I encounter a song that grabs me (usually introduced to me from the Spotify algorithm--it finds music that it thinks I may like), I dump it in a playlist for that year. And then it accompanies me on walks, road trips, Saturday. It's also a primary source for building a playlist for a game night or party or what-have-you.


These kind of playlists serve as a kind of musical commonplace book--a place to log and collect songs (and if you know anything about me, I'd say it's a pretty eclectic collection). The songs transport me to vividly specific times and places. It's like other sense memories.

My 2021 playlist is growing at quite a brisk pace. There are some fun songs on there by musicians I've never heard of (and some I have). I love it. Here's my playlists from a couple years back as well:
​
2020

2019

2018
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2666 and the "Door Stopper" reading challenge

2/9/2021

2 Comments

 
This is a 25-minute blog post.
I set a timer for 20 minutes, then I have 5 minutes to wrap it up and make adjustments. Here goes.

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In 2021, I've committed to reading a "door stopper" novel each month. My parameters are:
  • The book should be 500 pages or more
  • The book should ideally be something I already own
  • I may join other readers on Twitter depending on the book/month (it becomes this steady, casual online book club, which is quite fun)

Anyway, in January, I read Roberto Bolaño's epic 2666. The novel is wild. It's divided into 5 books and they make up a kind of...whatever you'd call a five-paneled work of art (quin-tych?). I guess the books can be read on their own in any order, but I am fascinated by the one laid out by the publishers and Bolaño's family (he died right before completion).
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At the end of the second book ("The Part about Amalfiatno"), we get this sublime passage about "door stoppers."

"There was something revelatory about the taste of his bookish young pharmacist...who clearly and inarguably preferred minor works to major ones. He chose The Metamorphosis over The Trial, he chose Bartleby over Moby-Dick,...and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze paths into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench."

2666 is just under 900 pages. I read about 30 each day, save for one day, but it was easy enough to carve time to catch up. The experience was incredible. It covers so much terrain, sprawling and diverging and still manages to contain some kind of whole. This book is difficult in sooo many ways (it's often unrelentingly gruesome). I wrestled with it a lot and just when I was on the brink of calling it a day, something stunning would ping off the page, and I'd hunker down for more reading. 

Recently, I'm keenly interested in that struggle. That moment when a work becomes frustrating, when I'm not getting it, bored, or confused, or whatever. How do I get out of that? Is it an issue with the book or me? In 2666, I'd always come to some kind of marvel at his genius. I'd come to a satisfying rationale for each annoyance or idiosyncrasy.

Now, there are books out there that just don't work for me. And I'm getting better at understanding if A) the read will be constant struggle and simply "not for me" Or (B) if the read will be something that's going to take an investment and a careful examination of paying attention to my reaction to the reading. This mindfulness is something George Saunders calls for in his latest book A Swim in a Pond in the Rain.
​
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I picked up that book a few weeks ago and read the introduction. It's brilliant. Saunders is one of my favorite writers and he teaches at the MFA Creative Writing Program at Syracuse. One of his classes is an exploration of 40 Russian short stories. His latest book is a condensed version of that class, choosing only 7 stories instead. Saunders is focusing on the short story and talking to me as a fellow writer, but also as a reader and general art reader (seeing a film, theater, taking in a painting, etc.).

I'm curious what Saunders would have to say about how the sprawling novels differs from the short story (beyond the obvious: length). So I'm sure Saunders would approach 2666 in a different way as a reader/writer. But I know that after reading only the first 6 pages of A Swim in a Pond in the Rain, I was thinking about how I was reading 2666: what delighted me, what didn't, and why. This made the experience that much more full and engaging. Perhaps I'll share more of that someday.

My timer just dinged, so I'm going to make sure there isn't anything totally embarrassing.

But here's to "the 
great, imperfect, torrential works, books that blaze paths into the unknown."   

I'm a third of the way through Olivia Manning's Fortunes of War: The Balkan Trilogy and it's a totally different kind of "torrential" work. More on that later.
​
2 Comments

Bullet Journal

1/24/2021

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I deserve a prize for resisting the urge to buy a new notebook.
I've had this funky composition version for a couple years. It's only one-third full of random notes. So I clipped those away and am starting a version of bullet journaling.

I'm not gonna get all crazed about it. But if I find that this is super helpful, I may share my method.

I've just come from an intense half year of recording audiobooks (a lot more to come on that). A couple other books are on their way. The work is extremely rewarding and enjoyable. But there are aspects that overwhelmed me.  Part of this journal's purpose is to organize that work along with the other little things that swirl in my head. There's a lot of administrative stuff to sort out. My hope is that I can dump those tasks in the journal and get them done.

Another element of the bullet journal is a storage for blogging ideas. In the coming weeks, I hope to add a lot more content to this part of my website. I want to share the good work of friends and colleagues. Perhaps give a peek into my process. You know, bloggy stuff.
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